Anne Collins Goodyear, Ph.D. is Co-Director of the Bowdoin College Museum of Art and Past President of the College Art Association. She is former Curator of Prints and Drawings at the National Portrait Gallery, Smithsonian Institution, where she became the first curator to collect digital and time-based art. Goodyear has curated numerous exhibitions and published and lectured widely about modern and contemporary American art and portraiture. Her essays have appeared in several scholarly journals, which include American Art and Leonardo, and in edited volumes and exhibition catalogues such as Roger Shimomura: An American Knockoff (2014), R. Luke DuBois—Now (2014), The Network: Portrait Conversations (2012); The Political Economy of Art: Creating the Modern Nation of Culture (2008), Cold War Modern: Art and Design in a Divided World (2008), and Photography Theory(2007). She is co-editor, with Margaret Weitekamp, Artefacts: Studies in the History of Science and Technology Volume 9: Analyzing Art and Aesthetics(Smithsonian Institution Scholarly Press, 2013), and is co-editor, with James W. McManus, AKA Marcel Duchamp: Meditations on the Identities of an Artist (forthcoming from the Smithsonian Institution Scholarly Press). She and McManus also co-edited Inventing Marcel Duchamp: The Dynamics of Portraiture (Cambridge, MA: MIT Press, and Washington, DC: National Portrait Gallery, 2009).
The Center for Curatorial Leadership (CCL) has announced its eighth class of fellows, twelve accomplished curators who have demonstrated that they are poised to be leaders in the field of art museums. The group includes professionals from ten United States institutions and two international museums. For nine of the museums, ... Read More >
California Conclusion | Highlights from the Final Week of CCL 2015 Last month, CCL touched down in Los Angeles for the concluding week of the 2015 program. Over the course of seven days, the fellows met with leaders from every corner of the city, studied strategic alignment at the USC ... Read More >