Clarissa Diniz

Clarissa Diniz

Clarissa Diniz is a curator and art critic. She has curated numerous exhibitions, among them Refrações – arte contemporânea em Alagoas, co-curated with Bitu Cassundé at the Pinacoteca da UFAL (2010); contidonãocontido, co-curated with Maria do Carmo Nino and EducAtivo Mamam at Museu de Arte Moderna Aloísio Magalhães, Recife-PE (2010); Contrapensamento selvage, co-curated with Cayo Honorato, Orlando Maneschy, and Paulo Herkenhoff at the Instituto Itaú Cultural, SP (2011); Zona tórrida – certa pintura do Nordeste, co-curated with Paulo Herkenhoff for Santander Cultural, Recife (2012); Ambiguações at Centro Cultural Banco do Brasil, CCBB Rio de Janeiro (2013); Pernambuco Experimentalat Museu de Arte do Rio - MAR, Rio de Janeiro (2013); and Do Valongo à Favela: imaginário e periferia, co-curated with Rafael Cardoso for Museu de Arte do Rio - MAR, Rio de Janeiro, 2014. She also serves as the Editor of Tatura and has authored Button-aspects of artistic legitimation (2008); Gilberto Freyre (2010); with Hector Gleyce, she has co-authored Montez Magno (2010) and, with Paul Herkenhoff and Luiz Carlos Monteiro, Critical art in Pernambuco: writings of the twentieth century (2012). Prior to joining MAR, she was Assistant Curator of the Visual Arts Program Directions 2008/2009 (Instituto Itaúcultural, São Paulo). She holds a BA in Fine Arts from the Federal University of Pernambuco and an MA in Arts from the State University of Rio de Janeiro

Articles Related to Clarissa Diniz

Core Advancement

2019-07-30

Christian Rattemeyer (MoMA International Curatorial Institute 2014) Appointed Director of SculptureCenter

SculptureCenter has appointed Christian Rattemeyer (MoMA International Curatorial Institute 2014) as its new director! Since 2007, Rattemeyer has served as the Harvey S. Shipley Miller Associate Curator in the Department of Drawings and Prints at the Museum of Modern Art. At MoMA, Rattemeyer has curated many exhibitions, including Transmissions: Art in Eastern Europe and Latin ... Read More >