Clare Kobasa is a PhD candidate in the Department of Art History and Archaeology at Columbia University, where she specializes in southern European Renaissance and Baroque art. Her dissertation, entitled “Sacred Impressions: Printmaking in seventeenth-century Sicily”, focuses on the adoption of intaglio printmaking to negotiate concerns and potentials around sacred images in Palermo and Messina. Clare earned a BA in history and art history from Swarthmore College and held internships at the Yale University Art Gallery, the Art Institute of Chicago, and the Metropolitan Museum of Art. From 2016-2018, she was a doctoral fellow at the Bibliotheca Hertziana – Max Planck Institute for Art History in Rome. She currently serves as the 2018-2020 Suzanne Andrée Curatorial Fellow in Prints, Drawings, and Photographs at the Philadelphia Museum of Art.
Adam H. Levine (CCL/Mellon Seminar 2019) has been named Assistant Curator of European Art at the Art Gallery of Ontario. Levine participated in the annual CCL/Mellon Foundation Seminar in Curatorial Practice in 2019, and is a PhD candidate at Columbia University’s department of Art History and Archeology. Prior to this ... Read More >
The Center for Curatorial Leadership (CCL) is pleased to announce the sixteen art history doctoral students selected for the sixth annual CCL/Mellon Foundation Seminar in Curatorial Practice. Joining from fifteen universities—six of which are sending a student to the program for the first time—this year’s cohort addresses a wide range ... Read More >