Julia Oswald studies medieval and early modern art. She is especially interested in devotional imagery and the relationship between pictorial media and the cult of relics, and her dissertation examines the growing range of iconographies developed to depict the relics of the Passion 1100-1600. Julia comes from St. Louis, received a B.A. in art history from Bard College in late 2006, and worked as an editor for a contemporary art magazine before beginning her graduate studies at Northwestern University in 2011. Her research has been supported by the Fulbright Commission (2015–16) and her curatorial work by the Andrew W. Mellon Foundation (2016–17).
Highlights from the Fourth Annual CCL/Mellon Foundation Seminar in Curatorial Practice This summer, the Center for Curatorial Leadership (CCL) hosted fifteen art history doctoral students in New York City for the CCL/Mellon Foundation Seminar in Curatorial Practice. Designed to offer emerging scholars the knowledge and skills to pursue curatorial work, ... Read More >
The Center for Curatorial Leadership Selects Fifteen Art History Doctoral Students for its 2017 CCL/Mellon Foundation Seminar in Curatorial Practice This July, the Center for Curatorial Leadership (CCL) will host fifteen art history doctoral students for the CCL/Mellon Foundation Seminar in Curatorial Practice. Building on the success of the first ... Read More >
Congratulations to Kristopher Driggers (CCL/Mellon Seminar 2017) who has been named Assistant Curator, Bernard and Jeanette Schmidt Curator of Latin American Art at the Tucson Museum of Art and Historic Block. Kris participated in the annual CCL/Mellon Seminar in Curatorial Practice in 2017, and expects to complete his doctoral work in ... Read More >